《永聲花—無盡的聲音風景》以聲音作為展覽視覺發展的主軸，將聲音的傳遞化為根莖軌跡，綻放的花苞表現光影盛開，每個人都是一朵永聲花，在這島嶼上幻化成無盡的聲音風景。

“The Eternal Soundscape—A Myriad of Everlasting Memories” adopted sound as the core concept for the exhibition’s visual identity, reinventing the transmission of sound into the trajectory of the roots, and presenting the blooming of light and shadows as blossoming flower buds. Everyone becomes a blossoming flower, transforming into eternal soundscape of the island.

當藝術家創作聲音藝術時就如同永生花的製作過程，透過收錄、編輯與播放，保存了聲響貼近於自然且真實的樣貌。展覽主視覺以此為概念，將聲音的傳遞化為根莖的軌跡，以綻放的花苞表現光影的盛開，使用抽象的手法表現聲音的延展，具生命力且不被限制的生成，讓觀者透過主視覺與展出藝術品的聲響共鳴下，也能定義各自心中「永聲花」的樣貌。

When an artist creates sound art, it's much like the process of producing preserved flowers. By recording, editing, and playing, they can preserve sounds as closely as possible to its natural form. The visual identity of the exhibition adopts this concept to reinvent the transmission of sound into the trajectory of the roots, present the blooming of light and shadows as blossoming flower buds, and employ an abstract method to convey the extension of sound. The vigorous, unbounded growth allows the audience to define for themselves what the Eternal Soundscape should look like by resonating with the visual identity of the exhibition and the sounds of the artwork.

展覽座落於美術館中央天井旁的開放廊道上，無固定封閉展間，針對展區指標，我們以花朵逐步盛開的視覺擬態抽象化後鋪設於地面上，讓人在廊道移動時，可從不同的行徑方向看見圖像所指引之相對位置，在色彩計畫也與臺南美術館調性同步，以白色為基調，輔以淺藍與淺紅色系，增加展覽氛圍的一致性。

The exhibition is located in the open corridor beside the atrium of the Museum without being enclosed in an exhibition space. For the wayfinding signs in the exhibition area, we mimic the gradually blooming flower in an abstract way and incorporated it in the floor. When visitors move through the corridor, they can see the destinations pointed out by the images on the ground regardless of their walking direction. The color plan is in sync with the tone of the Tainan Art Museum, with white as the basis, supplemented by light blues and light reds, ensuring a consistent atmosphere throughout.